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FACTO

ISA

TRANCOSO

ASA Art and Technology

BRIEF BIOS

Emanuel Dimas de Melo Pimenta's works are included in some of the most expressive art collections and world-wide recognised institutions like the Whitney Museum of New York, the ARS AEVI Contemporary Art Museum, the Biennial of Venice, the Computer Art Museum of Seattle, the Kunsthaus of Zurich, the Durini Contemporary Art Collection, the Bibliotèque Nationale of Paris and the MART - Modern Art Museum of Rovereto and Trento among others. He develops music, architecture and urban projects using Virtual Reality and Cyberspace technologies. His concerts of music integrating visual art have been performed in various countries in the last twenty years, since his great concert at the Biennial of Sao Paulo, for four large orchestras, in 1985, side by side with John Cage, Francesco Clemente, Sandro Chia and Robert Raushemberg among others. His works are included in the Universalis Encyclopaedia (Britannica) since 1991, in the Sloninsky Baker's Music Dictionary (Berkeley), the Charles Hall's Chronology of the Western Classical Music, as well as in the All Music Guide - The Expert's Guide to the Best Cds. With more than four hundred musical compositions already recorded, twenty published compact discs, four cd-roms, he has wrote and published about thirty books, several of them individually, and several papers. His works have been regularly published in England, the United States, Japan, the Netherlands, Portugal, Brazil, Germany, Switzerland, Hungary, Italy and Spain. He has also been curator for various institutions, like the Biennial of Sao Paulo, in Brazil; the Calouste Gulbenkian Foundation, in Portugal; the Triennial of Milan, in Italy; and the Belem Cultural Centre, in Lisbon, among others. In the early 1980s Emanuel Pimenta coined the concept "virtual architecture", later largely used as specific discipline in universities all over the world. Since the end of the 1970s he has developed graphical musical notations inside virtual environments. He won the National Marketing Prize in 1977 by the Brazilian Association of Marketing; the APCA Prize in 1986 by the Art Critics Association of Sao Paulo; and the Lac Maggiore Prize in 1994 by the Lombardia Regional Government, the International Association of Art Critics, the Unesco and the Council of Europe, in Locarno, Switzerland. In 1993 his works were selected by the Unesco, in Paris, as one of the most representative intermedia researchers of the world. He is member of the SACD - Societè des Autheurs et Compositeurs Dramatiques in Paris since 1991. He also is an active member of the European Environmental Tribunal, http://www.eeft.org/eeft.html, in London, where he has been member of the board since 1995. He is an active member of the New York Academy of Sciences, of the American Association for the Advancement of Science in Washington DC and of the ASMP - American Society of Media Photographers. He is member and advisor of the AIVAC - Association Internationale pour la Video dans les Arts et la Culture, in Locarno, Switzerland. He was a founding member of the International Society for the Interdisciplinary Study of Symmetry - ISIS Symmetry, in Budapest. Mr. Pimenta has been frequently invited, as professor and lecturer, by several institutions, among then the Universities of New York, Lisbon, Florence, Lausanne, Tsukuba, Georgetown, São Paulo, Palermo, the Calouste Gulbenkian Foundation, the Monte Verita Foundation in Switzerland and the Technion Institute in Haifa, Israel. He his director of the contemporary music festival HOLOTOPIA, in Naples, Italy. He is also founder and director of the Foundation for Arts, Sciences and Technology - Observatory, in Trancoso, Portugal. Emanuel Pimenta lives in Porto Ronco, Switzerland, near Locarno - but he is always travelling to New York and Lisbon.

For a larger bio, please see http://www.emanuelpimenta.net/bio/ENPimenta.html

d i r e c t i o n : G y o r g y D a r v a s a n d E m a n u e l D i m a s d e M e l o P i m e n t a

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